Sculpture Chicago ’84

Produced, Directed, Reported by Gail Pellett

Production Company: MacNeil/Lehrer Newshour

Presented by: WNET, New York and WETA, Washington, D.C.

Aired on: PBS | Date: 1984

Clip Duration: 7:36 min
We see these sculptors sawing, hammering, chiseling, welding, and generally melding materials into mystical and strange sculptures outdoors while passersby comment and query. The sculptors expound on the experience.
Sculpture by Francisco Perez

In 1984 a half dozen sculptors were chosen from dozens of contestants around the country to create and construct a piece of outdoor sculpture in one of Chicago’s downtown squares in 33 days.  We meet the sculptors and watch them work all under the surveillance and questions of the curious passers-by.  Marcia Weiss, Francisco Perez, Steve Woodward, Roger Machin and Peta Coyne and others are all highly experienced and skilled sculptors and the questions raised and comments made about their creations range from the philosophical to the whimsical. As one sculptor says “The best complement you can get is if people looking at the work want to go home and make sculpture!”

Robert Machin soldering

 

This 10 minute feature piece was one of a dozen or more feature pieces that I produced for the new “arts, culture & character beat” that was part of MacNeil/Lehrer’s weekday news analysis program when it went to the full hour in the fall of 1983.  While there, I pitched, produced and reported pieces about Marty Cooper, a photographer of Children’s Play on the Lower East Side of NYC, a Mardi Gras Indian  making his costume and preparing for the big day as well as a story about two university students starting a software business (all posted on this site).  In addition I produced stories about the closing of Theresa’s bar — a much beloved blues hangout owned by Junior Wells on Chicago’s South side,  a report on the famous Primitivism Show at MOMA,   a new look at Grandma Moses,   a story-telling festival in Jonestown, Tennessee;  and numerous portraits of  intriguing American characters.

Piece by Petah Coyne, Mass Moca 2010
Marcia Weiss

Breaking News

Francisco Perez, Steven Woodward and Petah Coyne have had successful and prolific careers as sculptors since this group exhibit.

Perez teaches at the College of Creative Art at San Francisco State University and is involved in fascinating landscape and ecology projects in Puerto Rico.

Steven Woodward's work has been shown consistently in galleries and museums primarily in Minnesota where he lives.

Petah Coyne, a New York and New Jersey based artist, has shown in museums and galleries in the U.S. and abroad. In 2010 her work appeared at Mass MOCA in the Berkshires. Roger Machin formed a company, Materials and Methods, to transport fine art.

I was unable to trace Marcia Weiss and the other artists featured here. Hopefully, somebody reading this will let me know their whereabouts and history.

Strange Bedfellows

I'm not sure whether it was the discomfort that the principals of MacNeil/Lehrer felt about integrating reporting about the arts and culture into their new one hour format in 1983 or the strange and grating mix of personalities and styles, ideas and values that several of us new "arts beat" producers represented in that traditional shop, but it was a short dance for all of us.

I remember the day when I brought footage of some kids break dancing on the streets of Manhattan into screen for Robin MacNeil. He looked at me in horror and asked "What is that?" This path-breaking dance form -- part of the hip-hop scene exploding from the Bronx into the other boroughs and eventually captivating the globe, would not be reported on this program.

When I reported on the Primitivism Show at MOMA, considered to this day one of the most significant shows in MOMA's history for its revealing the influence of African art on Picasso and Braque and other Cubists in the early 20th century, was considered a somehow inappropriate fit for the Newshour -- too elitist? too academic? Why wasn't I covering the Van Gogh exhibit at the Metropolitan Museum? But, to their credit, they aired my piece.

One Response to “Sculpture Chicago ’84”

  1. The other artists said to be untraceable are highly visible in 2010 to the present with a simple Google search.

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